Composer and performer Molly Joyce has been deemed one of the “most versatile, prolific and intriguing composers working under the vast new-music dome” by The Washington Post. Her music has additionally been described as “serene power” (New York Times), and “unwavering…enveloping” (Vulture). Her work is concerned with disability as a creative source. She has an impaired left hand from a previous car accident, and seeks to explore disability through composition, performance, collaboration, community engagement, and further mediums. Her most recent album, Perspective, featuring forty-seven disabled interviewees responding to what access, care, interdependence, and more mean to them, was released on October 2022 on New Amsterdam Records. The record has been praised by Pitchfork as “a powerful work of love and empathy that underscores the poison of ableism in American culture” and The Wire as a “powerful ongoing project…charged by an intense composer/performer relationship.”
Molly’s creative projects have been presented and commissioned by Carnegie Hall, TEDxMidAtlantic, Hirshhorn Museum and Sculpture Garden, Bang on a Can Marathon, Danspace Project, deSingel, Americans for the Arts, National Sawdust, Music Academy of the West, Gaudeamus Muziekweek, National Gallery of Art, Classical:NEXT, and featured in outlets such as Pitchfork, eBay, Red Bull Radio, WNYC’s New Sounds, and I Care If You Listen. Her compositional works have been commissioned and performed by ensembles including the Vermont, New World, New York Youth, Pittsburgh, Albany, and Milwaukee Symphony Orchestras, as well as the New Juilliard, Decoda, Contemporaneous ensembles, and Harvard Glee Club. She has also written for publications 21CM, Disability Arts Online, Women in Foreign Policy, and is a member of the Americans for the Arts’ Artists Committee
Molly is a graduate of The Juilliard School (graduating with scholastic distinction), Royal Conservatory in The Hague (recipient of the Frank Huntington Beebe Fund Grant), and Yale School of Music. She holds an Advanced Certificate and Master of Arts in Disability Studies from CUNY School of Professional Studies, has done doctoral studies in artistic research as part of the Dr. Artium program between Graz and Zurich Universities of the Arts, and is an alumnus of the National YoungArts Foundation. She has studied with Samuel Adler, Martin Bresnick, Guus Janssen, David Lang, Missy Mazzoli, Martijn Padding, Christopher Theofanidis, and has served on the composition faculty of New York University, Wagner College, and Berklee Online, teaching subjects including Disability and the Arts, Music Technology, Music Theory, and Orchestration. She is currently a Dean’s Doctoral Fellow at the University of Virginia, focusing on Composition and Computer Technologies.